Category Archives: Found & Shared

Welcome 2012!

Hello 2012! We’re so glad to meet ya.

And to make you feel right at home, here’s a beloved classic that influenced us as kids, even to this day. Rudolph’s Shiny New Year, in it’s entirety. Baby New Year! Rudolph! Father Time!

We hope that your New Year 2012 is bright and the best yet.


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Hit Them With The Razzle Dazzle – WWI British Navy Ship Cammo


The Father of Dazzle Camouflage, Norman Wilkinson

When you are interested in design, technology, perception AND history? (As I am.)  Sometimes a story comes along that feeds all 4 things.

This post, borrowed from Twisted Sifter does just this. And rather than blab on about why this is so damn cool, I’ll just let you check out an abridged version here and hopefully, marvel like we have at this ingeniuous and extremely cool graphic solve to a fatal problem of war.

For the full blog post with many more photographic examples, please visit Twisted Sifter or click on any image.


You are the Fleet Admiral of the Navy in WWI what do you do?


You’re the Fleet Admiral of the Navy in World War I. Your ships are being sunk at an alarming rate by the devastatingly effective German U-Boat. The traditional camouflage isn’t working because your environment (sea and sky) changes with the weather. What do you do?



World War I occurred from 1914–1918; back then sinking an enemy battleship was a three-step process:

Step 1: Locate your target’s position and plot its course.
Step 2: Determine the ship’s speed and confirm the direction it is heading
Step 3: Launch torpedo not directly at the ship, but where you think it’s going to be by the time the torpedo reaches the ship.

*Remember this is early 20th century warfare, weapons don’t travel at the speed they do today

So what’s your solution Fleet Admiral?



Forget about not being seen, that only solves their first problem. Focus on confusing them so they don’t know where you’re going. Then their torpedoes will be shot in vain because they thought you zigged when you really zagged.

British Artist and naval officer Norman Wilkinson had this very insight and pioneered the Dazzle Camouflage movement (known as Razzle Dazzle in the United States). Norman used bright, loud colours and contrasting diagonal stripes to make it incredibly difficult to gauge a ship’s size and direction.

It was cheap, effective, and widely-adopted during the War. Check out the incredible photographs below.


*NOTE: Unfortunately the images are in black and white, being from the early 1900s and all, so the loud, bold colours will require a little imagination. Can you picture a fleet of electric yellow, orange and purple ships coming to get ya!




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Happy Thanksgiving!

Wishing you all a Happy Thanksgiving in all of it’s meanings for you.
We hope that your holiday is as magical as this perfect Charles Schulz scene from A Charlie Brown Thanksgiving. Happy holidays!


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Rad animation for Poe’s “The Tell Tale Heart”


In 1953 UPA released a groundbreaking and incredibly executed short animated film version of Edgar Allen Poe’s “The Tell Tale Heart” with art by Paul Julian and a single voice actor, the incomparable James Mason.

This short is absolutely top-notch. I can’t believe that I hadn’t seen it before.

The claustrophobic spookiness is perfection, as is Mason’s voice over in translating Poe’s main character’s intense sense of rationalization of his crime. In short, it’s beautifully creepy and does full justice to Poe’s iconic short story.

One of the few not-for-children shorts produced in they heyday of Disney and Looney Tunes, this film also has the distinction of being the very first to have received an X-rating in the UK at the time of its release. Ahhh how the world has changed.

Hope that you dig this little gem too.


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Screwball Press 20th Anniversary short film. Yay!

Sometimes, it’s hard for me to describe what I do for a living being a screenprinter, print maker and rock poster artist. I’m not saying that this awesome short film on the amazing scene at Screwball Press Chicago (owned & operated by one of my favorite dudes around, Steve Walters) has all of that wrapped up nicely for you…

But, I am saying that this is a great peek into the lives of rock poster artists, screenprinters, the incredible Chicago print community, and some of our favorite fellow poster artists. It’s so rad seeing some of your friends, who happen to be mentors and design heroes get the attention they well deserve. You go kids!

I hope that you enjoy this short documentary by Sara Evans & Daily Planet Productions, Ltd. highlighting Screwball Press and a slice of the Chicago screenprinting community!

Produced by Daily Planet Productions
Edited / Directed by Sara Evans
Camera / Sound by Tom Bluett
Production Assistants: Travis Heberling, Karen Wittekind
Music by Cool Devices


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Re-post from 8 Hour Day “Girls Just Want To Have Fun”

Yep, this is a full re-post of what I think is a great, important, and should be seen by anyone interested in design type of blog post. I think that Katie Kirk, one half of the lovely couple behing the design studio 8 Hour Day said it best, so I’m just spreading her words and images below.

So awesome to see some of the best women designers and illustrators out there too, friends, peers, and new to me talents who kick ass in this field every day.

*Please note – The below is a post originally written and collected by Katie Kirk of 8 Hour Day, not myself, so if you dig, also go over there and check them out, comment there too and support them as well. Cheers all!

There’s been a lot of discussion happening around a recent Good Magazine article entitled “Why We Can’t Let Design Become a Boys’ Club” by Dylan Lathrop. It has spawned numerous comments, opinions,counter arguments and retorts from all sides. Many of us feel strongly about this, and it’s definitely a subject with many shades of gray. Though we may not all agree on the matter, I think the fact that it’s being discussed at all is great. After reading through all the articles and all the commentary, I felt compelled to showcase some of the women that continue to inspire me. So here are some of my favorites–thanks for the inspiration, ladies!

Aimee Gauthier

Allegra Lockstadt

Allison Newhouse

Anchalee Chambundabongse

Angie Lewin

Anke Weckmann

Annette Marnat

Anne Ulku

Autumn Whitehurst

Celeste Prevost

Danielle Davis

Deanna Halsall

Eleanor Grosch

Elsa Lang 
(Always With Honor)

Erin Fuller

Esther Aarts

Gemma Correll

Gina Triplett

Gracia Lam

Helen Dardik

Jacqui Oakley

Janine Rewell

Jennifer Daniel

Jenny Bowers

Jessica Hische

Jessica Walsh

Jillian Tamaki

Julia Rothman

Karen Goheen 
(Two Arms)

Kate Bingaman-Burt

Kelli Anderson

Kelly Munson

Kristina Collantes

Lauren Gregg

Laurie DeMartino

Lotta Nieminen

Lydia Nichols

Maria Janosko


Meg Hunt

Melissa Buchanan 
(The Little Friends of Printmaking)

Missy Austin

Natalie Schaefer

Parliament of Owls
 (Meg Paradise, Lauren Sheldon & Ariana Dilibero)

Ping Zoo

Roxanne Daner

Sanna Annukka

Sarah Labieniec

Sara Lintner

Sol Linero

Susie Ghahreman

Tonya Douraghy

Tuesday Bassen

Valerie Jar

Veronica Corzo-Duchardt 

Sharon Werner & Sarah Forss 
(Werner Design Works)



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Book Cover Design in India 1964 to 1984, from 50 Watts

Click to see more from this collection.

In my morning-coffee-stumble-through-the-internet-while-waking-up ritual today I came across a fantastically cool / I can’t believe that I didn’t know about this before blog, called 50 Watts, run by Philadelphian (yay! My hometown!) Will Schofield.

50 Watts is great little space of the web covering the intersection of book collection, design, and illustration. Sounds like heaven to me.  What caught my eye was an image from a post on now vintage book covers from the 40 year span from 1964 – 1984. Here, I’ve posted a few of my favorites, but definitely check out the full post at 50 Watts here.

And yeah, part of me wishes that I could read the text on these beauties. At the same time, they still speak quite clearly and the other part of me loves being able to make up stories about what these stories are about.

Click to see more from this collection.

Mostly, I just adore the flatness of the color fields, the kapow! of their graphics and layout, and symbolic style of the illustrations. Being a silkscreen printmaker, there is something so excellently familiar about the way that these were printed, probably cheaply, probably in a spot, or one color at a time process like screenprinting. You can see the areas where pieces aren’t in perfect register, or where colors overprint one another, and the use of halftones to mimic saturation levels of a color. All make my heart do little flips. The limitations of this type of printing force incredibly creative and freeing design and illustration choices, which, clearly I love and have embraced as a career. So, no. It’s no surprise that I dig these. I hope that you do too.

Click to see more from this collection.

Click to see more from this collection.

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